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Titlebook: Class Divisions on the Broadway Stage; The Staging and Tami Michael Schwartz Book 2014 Michael Schwartz 2014 America.history of theatre.Rom

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To Stop the World: The Most Stupendous Impossibles,racter begin an important speech with “You don’t remember the Wobblies.” The character is speaking in 1941, and he is not asking if the listener remembers the workers who made up the Industrial Workers of the World (I.W.W.), an organization formed some 36 years previously—he is assuming that the Wob
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Where Do I Get Off? The Wobblies I.W.W. Spurn ,at had been going strong for some 40 years. The . coverage at the time tells readers that many people were blocking traffic in an attempt to “appear in moving pictures.” The story also notes that the I .W.W. had threatened to crash the parade: “The I .W.W. leaders who had threatened to mix into the
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,No Kick Coming: The Romantic Wobbly of Sidney Howard’s ,ully attracted major I.W.W. figures, including Elizabeth Gurley Flynn and Big Bill Haywood, but most I.W.W. members grew increasingly disenchanted withthe system in Russia. Nevertheless, the Wobblies lost ground to the Communists, as they would later, to the expanding Congress of Industrial Organiza
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,Dead Hand of the Dead: Anderson and Hickerson’s ,nd Vanzetti seemed to confirm and validate the pessimistic strain of the social protest plays under study. Maxwell Anderson and Harold Hickerson set out to capture the outraged sentiments of the time with what John Gassner called “the strongest drama of social protest produced in the 1920s” (Gassner
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,You I-Won’t-Work Harp: I.W.W. Elegy in ,s no less harsh: “Perennial suffering has as much right to expression as a tortured man has to scream; hence it may have been wrong to say that after Auschwitz you could no longer write poems. But it’s not wrong to raise the less cultural question whether after Auschwitz you can go on living—especia
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ological activities. In this manual the exercises are simplified and several shortcuts are taken in order to fit them into the framework of a teaching course. The introduction to each exercise gives a brief and elementary explanation of the reaction on which it is based. "Materials and Equipment" lists all ti978-3-662-00148-6
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