Titlebook: Claiming Space for Australian Women’s Writing; Devaleena Das,Sanjukta Dasgupta Book 2017 The Editor(s) (if applicable) and The Author(s) 2

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Disparate Visions: The Contested Homefront Worlds of Gwen Harwood, Faith Richmond and Judith Wright three notable female Australian writers, Gwen Harwood, Faith Richmond and Judith Wright, lived or worked in close proximity, although apparently entirely unknown to each other. This chapter explores the life trajectories of each within this timeframe, as well as the ways in which their writings dep

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Made in Suburbia: Intra-suburban Narratives in Contemporary Australian Women’s Fictionsformation, a location from which to flee. However, little critical attention has been directed on contemporary realist tales of the female protagonist located within the confines of suburbia—an increasingly contested yet arguably still feminine/feminised zone. This chapter examines contemporary rep

GUMP

“The Inexhaustible Properties of a Lady’s Pen”: The Literary Craft of Georgiana Molloyr family capture their efforts to establish themselves. While much has been written on Molloy’s pioneering spirit, attention to her literary ability has been scarce. This chapter, through its analysis of Molloy’s vivid letters to her family and her lush and alluring correspondence with James Mangles

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Possibilities from the Peripheries into the Urban Labyrinth: Helen Garner’s ,pts temporal linearity through the reconfiguration of “junk time”. Likewise, landscapes, cityscapes and a sense of place are re-imagined in fluid, drugged dreamscapes. In this way, drug imagery evokes leakages and slippages across time, space and the body enabling a re-evaluation of corporeal possib

RAG

“The Sex Thing Is Strange”: The Queerness of Barbara Hanrahan’s Fictionoverns cultural intelligibility about what constitutes “real” sex and what remains unimaginable and unspeakable. It also highlights a preoccupation in her writing with non-normative sexual desires and identities that is akin to the critical concerns of queer epistemologies. The chapter takes Hanraha

有恶臭

Australian Aboriginal Women’s Protest Poetryhapter starts with the caveat that not all Aboriginal poetry is protest poetry. However, while Aboriginal poetry has always been written in a wide variety of styles and modes, protest continues to be a prominent constitutive feature of that field. Brewster aims not to privilege protest poetry as the

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slocation and female body politics. .Claiming Space for Australian Women’s Writing. tracks Australian women authors’ varied journeys across cultural, political and racial borders in the canter of contemporary political discourse..978-3-319-84391-9978-3-319-50400-1

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