Titlebook: Claiming Space for Australian Women’s Writing; Devaleena Das,Sanjukta Dasgupta Book 2017 The Editor(s) (if applicable) and The Author(s) 2

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Choreography

Book 2017pes and assert themselves as writers of substance. Contextualized within the pioneering efforts of white, Aboriginal, and immigrant Australian women in initiating an alternative literary tradition, the text captures a wide range of multiracial Australian women authors’ insightful reflections on cruc

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heart-murmur

Writing Silence: Grieving Mothers and the Literature of Warflict and long after cessation of hostilities in November 1918, while negotiating expectations for emotion to be contained, grief to be observed in quietude and male heroism to be revered and privileged. Focussing on practices and motifs of silencing, we cut across prevailing notions that women’s wa

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Blood-Vessels

Poetic Rivalry and Silent Love: Lawson’s Muse and Mary the Bardernal” love for the legendary Australian national poet, Henry Lawson, and their extraordinary intellectual literary partnership has remained in oblivion. Gilmore’s biographers have often doubted that Lawson’s literary fame is the result of Gilmore’s silent sacrifice of her literary space because of

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Kate Grenville’s Transgressive Narrativesan life. Her novels and short stories refigure literary and national spaces, particularly for women, but also in terms of cross-cultural interactions across the settler-Indigenous divide. Her most well-known and celebrated novels, . (1985) and the international best-seller, . (2005) have rightly bec