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Titlebook: Circus, Science and Technology; Dramatising Innovati Anna-Sophie Jürgens Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Tec

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发表于 2025-3-21 18:30:49 | 显示全部楼层 |阅读模式
书目名称Circus, Science and Technology
副标题Dramatising Innovati
编辑Anna-Sophie Jürgens
视频video
概述Brings together – for the first time – different scholarly perspectives on the facets of engineering and technology in circus contexts.Provides a rich account of the circus’ past, how it was and is fo
丛书名称Palgrave Studies in Performance and Technology
图书封面Titlebook: Circus, Science and Technology; Dramatising Innovati Anna-Sophie Jürgens Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Tec
描述This book explores the circus as a site in and through which science and technology are represented in popular culture. Across eight chapters written by leading scholars – from fields as varied as performance and circus studies, art, media and cultural history, and engineering – the book discusses to what extent the engineering of circus and performing bodies can be understood as a strategy to promote awe, how technological inventions have shaped circus and the cultures it helps constitute, and how much of a mutual shaping this is. What kind of cultural and aesthetic effects does engineering in circus contexts achieve? How do technological inventions and innovations impact on the circus? How does the link between circus and technology manifest in representations and interpretations – imaginaries – of the circus in other media and popular culture? .Circus, Science and Technology. examines the ways circus can provide a versatile frame for interpreting our relationship with technology..
出版日期Book 2020
关键词Technology; Science; Engineering; Circus; Performers; Aviation; Bodies; Prosthesis; P; T; Barnum; Freak show;
版次1
doihttps://doi.org/10.1007/978-3-030-43298-0
isbn_softcover978-3-030-43300-0
isbn_ebook978-3-030-43298-0Series ISSN 2947-5848 Series E-ISSN 2947-5856
issn_series 2947-5848
copyrightThe Editor(s) (if applicable) and The Author(s) 2020
The information of publication is updating

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Engineers of Curiosity: The Barnum Erases on how he set out to transform a museum collection of ‘stuffed money and gander skins’ through an exercise in reanimation that introduced elements of Frankenstein’s forbidden adventurism while appealing to the family values of a growing bourgeois clientele. Pride of place amongst his Gallery of
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Circus as Laboratory: Imagineering Legitimacynhanced and defended to ensure survival and success. Circus emerged as a viable form of entertainment in London on the eve of the Industrial Revolution. Ever since, circus entrepreneurs have faced the challenge of securing ‘legitimacy’ in the face of variable, inconsistent and often adversarial, soc
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The Circus and the Magic Lantern: A Portfolio of Hand-Painted Mechanical Magic Lantern Slidesd eighteenth centuries as showmen and performers tramped across Europe. In the nineteenth century, while the itinerant tradition continued, the magic lantern and the circus became a part of urban theatrical culture as entrepreneurs developed elaborate phantasmagoria exhibitions and circuses incorpor
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The Circus and Technologies of Animation the tensions between truth and deception, as these circus entertainments produce spectacles of wonder. Technologies of cinematic animation have also long produced such encounters between the real and the imagined while acknowledging the constructed nature of the medium. Although early cinema’s conn
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Engineering Circus Enchantment: Automagic Technology and Electrifying Performances in Fictions in a range of illusive experiences. But how does technology affect the performing body in literary and filmic circus fantasies? Does it bypass or transcend human physical skill? This chapter explores cultural imaginaries of the (re)creation of circus performers through technology; scenarios in whi
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Book 2020by leading scholars – from fields as varied as performance and circus studies, art, media and cultural history, and engineering – the book discusses to what extent the engineering of circus and performing bodies can be understood as a strategy to promote awe, how technological inventions have shaped
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