Titlebook: Circus, Science and Technology; Dramatising Innovati Anna-Sophie Jürgens Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Tec

parallelism

Tobias Gostomzyk,Victor Meckenstock an expansion of the notion of the engineer in literature. The chapter argues that in addition to being responsible for constructing tents and props, circus and engineering also participate in building worlds of meaning and cultural ideas of our technological future.

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Circus, Science and Technology978-3-030-43298-0Series ISSN 2947-5848 Series E-ISSN 2947-5856

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978-3-030-43300-0The Editor(s) (if applicable) and The Author(s) 2020

苦笑

https://doi.org/10.1007/978-3-658-15294-9written by leading scholars from fields as varied as performance and circus studies, art, media and cultural history, and engineering, the book breaks new ground in examining to what extent the engineering of circus and performing bodies can be understood as a strategy to promote awe, how technologi

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https://doi.org/10.1007/978-3-658-15294-9ses on how he set out to transform a museum collection of ‘stuffed money and gander skins’ through an exercise in reanimation that introduced elements of Frankenstein’s forbidden adventurism while appealing to the family values of a growing bourgeois clientele. Pride of place amongst his Gallery of

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intuition

https://doi.org/10.1007/978-3-322-86636-3been previously acknowledged. Identifying that the emergence of the modern circus was synchronous with late eighteenth-century experimentation with electricity, discussion then shifts to the nineteenth century, and examination of various intersections between the circus and electrical science. The c

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Jens Pohlmann,Adrien Barbaresi,Peter Leinens then influences wider social practice. The Hanlon (Hanlon-Lees) Brothers set new limits in acrobatic action with aerial technology for their nineteenth-century circus act, subsequently developing the safety net for flying trapeze and inventing new stage machinery for pantomime in their macabre the