Titlebook: Cinematic Philosophy; Tal S. Shamir Book 2016 Springer International Publishing AG 2016 Philosophy.Film.Philosophy of film.Cinema.Thought

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The Intimate Relationship Between Art and Truth,created as art, something that is not generally accepted as a valid path for expressing truth, reality, or philosophy. In order to establish the idea that the cinematic platform can create serious philosophy, Shamir shows how art (including cinema) possesses the potential to express truth or reality

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通情达理

Cinematic Examples, following: . (Michelangelo Antonioni, 1966); . (Ridley Scott, 2007); . (John Madden, 1998); .(Orson Welles, 1973); . (Peter Greenaway, 1982); .(Guy Ritchie, 2009); . (Bernardo Bertolucci, 1970); . (Alan Parker, 2003); . (Michael and Peter Spierig, 2014); . (Christian Marclay, 2011); .(Bryan Singer,

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Conclusion: ,,ey into how we choose to understand and know the world we live in. The technological advances of the twenty-first century are bound to intensify our dependence on the visual image and the moving frame while at the same time challenging the hegemony of the written and printed text. Now more than ever

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谦虚的人

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和平主义

https://doi.org/10.1007/978-3-319-33473-8Philosophy; Film; Philosophy of film; Cinema; Thought experiment; Cinematic; Friedrich Nietzsche; Thomas Wa

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978-3-319-81522-0Springer International Publishing AG 2016

争吵

Theorizing Organizational Change,much-needed overview of its main arguments, including upending the exploration of film and philosophy; showing how cinematic thought experiments offer much more than traditional thought experiments; establishing that the philosophy within a given film is not dependent on traditional philosophy; demo

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