Titlebook: Cinematic Philosophy; Tal S. Shamir Book 2016 Springer International Publishing AG 2016 Philosophy.Film.Philosophy of film.Cinema.Thought

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,Foundation III—Thought Experiments,ught experiments, but a perspective beyond what has already been written on the relationship between thought experiments and cinema is required. Shamir gives an overview of some of the key writings on the relationship between thought experiments and cinema (concentrating mainly on Thomas Wartenberg), and then goes on to challenge them.

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Cinesophia,unprecedented possibility for the discipline of philosophy, leading Shamir to deepen his research into the unique experiences that can be evoked through the cinematic medium. This endeavor reveals how cinema can push us towards new concepts, perceptions, and thoughts of the world.

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虚构的东西

,Foundation I—The Evolution of Film and Philosophy, establish a firm relationship between film and philosophy. Most theoreticians of film and philosophy have no clear structure for finding philosophical evidence in individual movies. In order to begin uncovering what kind of positive relationship can exist between film and philosophy, Shamir gives a

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,Foundation III—Thought Experiments,lish that philosophy has always needed cinema—that necessity will supply the basis for establishing a firm bond between film and philosophy, and may begin to demonstrate the possibility of creating philosophy via the cinematic medium. The place to begin uncovering this need is within the area of tho

Noctambulant

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