Titlebook: Cinema of the Arab World; Contemporary Directi Terri Ginsberg,Chris Lippard Book 2020 The Editor(s) (if applicable) and The Author(s), unde

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Family Resemblance: An Anthropologist Looks at Moroccan Documentary” (in the sense of responding to local rather than foreign concerns), sincere, persuasive, etc. Several films dealing with the role of women in politics and with gender relations will be looked at in detail, with some comparative perspectives provided by reference to documentary films from elsewhere in the Arab world, particularly from Tunisia.

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Exceptions to the Rule: The Mechanics of War and the Institution in Egyptian Cinema and the fetishization of technology and war machinery, these experimental films allow us to rethink the generic conventions that split documentary from fiction film at the same time that they also prompt us to review representations of the institution in other instances of Egyptian cinema.

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Teaching Egypt Cinematicallygement with the inaccessibility of facts. This paper seeks to transcend these limited, if not entirely unfavorable, understandings in the better interests of explaining the films’ profound pedagogical import as a core element of their respective aesthetic structuring and thus of the centrality of their political engagement.

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Book 2020ct and as one of several instances of contestation. The volume thus showcases the breadth and depth of Arab film culture and its multilayered connections to local conditions, regional affiliations, and the tendencies and aesthetics of global cinema..

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https://doi.org/10.1007/978-1-4020-6429-6re in service of promoting Qatari culture, these cosmopolitan cinematic collaborations serve to create connections between the different communities and encourage a hybrid merging of disparate cultural knowledge. This chapter shows how the budding Qatari film industry answers to, complicates, or negates the overarching national vision.

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https://doi.org/10.1007/978-3-7908-2364-6opean funders? And to what extent do transnational production and distribution conditions lead to a codified representation based on stereotypical views of the country, views that may be described by the term “cinematic postcard”?

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https://doi.org/10.1007/978-3-662-04234-2the other, this temporality asks us to take seriously the “now” of industrial formation itself as well as Palestinian strategies of “figuring out” how economic forms come to acquire the status of industry.