Titlebook: Cinema of the Arab World; Contemporary Directi Terri Ginsberg,Chris Lippard Book 2020 The Editor(s) (if applicable) and The Author(s), unde

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Lebanese Cinema and the French Co-production System: The Postcard Strategy to attract a share of the small number of moviegoers. Today, despite the recent growth in film production, Lebanese cinema remains highly dependent upon international funding as well as upon Western film festivals. In this context, a number of questions arise: What proportion of contemporary Lebane

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Amateur Filmmaking in Tunisia: A Political Film Culture Eliding Contradictions in National Cinemaities and values within Tunisia. The . (FTCA) has been instrumental in the promotion and defense of a certain conception of Tunisian film culture, in close association with the . (FTCC). Carrying the analysis beyond audience survey methodology, this chapter builds upon interviews with different gene

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“Not-Yet” an Industry: The Temporalities of Contemporary Palestinian Cinemats infrastructures and as a specific mode of social formation unfolding at the intersection of settler colonialism and a series of broader global economic processes. The focus is on the temporalities produced by the political economies in which attempts at Palestinian film institutionalization are e

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Mobilities of Cinematic Identity in the Western Sahara such a cinema must be an inclusive one, appropriate to a stateless people, including not only those texts made in and about the territory by both Sahrawis and their supporters—and detractors—but also the use of film and video recording and distribution as part of the virtual battlefield, the media

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Amiralay and Sabbagh in the Post-cinematic Agee in the study of Arab cinema. From . to ., Sabbagh was a maker of both fiction and nonfiction films during the 1980s until the early 2000s, all of which, in different modes and emotional registers, reflected on the violent intrusion of geo-national politics and sectarianism in Lebanese society. Fro

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Family Resemblance: An Anthropologist Looks at Moroccan Documentaryhuman relationships and bringing relatively local aspects of human experience to a broader public. Focusing on Moroccan documentary, this chapter explores several issues common to both projects, among them the challenges arising in relationships between filmmaker/anthropologist and their human subje

neologism

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