Titlebook: Cinema of the Arab World; Contemporary Directi Terri Ginsberg,Chris Lippard Book 2020 The Editor(s) (if applicable) and The Author(s), unde

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2634-5951 ilosophical and critical theories and methodologies in order.This volume engages new films and modes of scholarly research in Arab cinema, and older, often neglected films and critical topics, while theorizing their structural relationship to contemporary developments in the Arab world. The volume c

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https://doi.org/10.1007/978-3-662-04234-2 This chapter traces the relationships between the place and use of cinema within the Sahrawi project of identity and of state-building, using the trope of mobility to examine the intersection of political and cultural stakes in the Western Sahara.

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Mobilities of Cinematic Identity in the Western Sahara This chapter traces the relationships between the place and use of cinema within the Sahrawi project of identity and of state-building, using the trope of mobility to examine the intersection of political and cultural stakes in the Western Sahara.

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Amiralay and Sabbagh in the Post-cinematic Ageeir films address processes of interpellation at the intersections of subject and state, ruler and ruled, occupier and occupied, and self and other, this chapter looks comparatively at two distinctly different approaches to cinema that bring questions of performativity and revolutionary Third Cinema into the contemporary foreground.