Titlebook: Chinese Science Fiction; Concepts, Forms, and Mingwei Song,Nathaniel Isaacson,Hua Li Book 2024 The Editor(s) (if applicable) and The Author

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易碎

The Posthuman and the Neo-Baroque in Taiwan Science Fictionlist variations of science fiction by authors in Taiwan. This chapter applies contemporary posthuman and Neo-Baroque theories to analysis of the works of several authors residing in Taiwan: Chang Ta-chun’s “Those Who Mourn” (1984), Chu T’ian-wen’s “Fin-de-siècle Splendor” (1990), Chi Ta-wei’s . (199

沉思的鱼

Introduction,l ambiance, its political complexity, and its unpredictable future, voicing the anticipations and anxieties of a new epoch filled with accelerating alterations and increasing uncertainty. The genre unfolds invisible and hidden dimensions of and beyond China’s contemporary realities and weaves togeth

伦理学

Kang Youwei’s , and the Porous Epistemological Grounds of Early-modern Chinese Science Fictionerlooked text as its starting point, this essay delves back into the early history of Chinese science fiction in an attempt to redefine its foundations. By exploring the epistemological assumptions upon which this then new genre built as it gained traction in late-imperial China, it advances a refle

诙谐

dissolution

Projecting Eco-Futures: Cinematic Visions of Utopian Science and Ecology from the Mao Era to the Den landscape, setting, and natural objects, this chapter argues that their differing perspectives on science are responsible for producing starkly contrasting aspirations regarding the human-nature relationship. In doing so, this chapter builds upon Lawrence Buell’s understanding of the environmental

macular-edema

Of Illness and Illusion: The Chaosmology of Han Song’s Hospital Trilogyher, the illusions, parallel cosmos, the imbrication of historical-personal narratives, and the disjuncture between planes of meanings conveyed through irony or allegories all come to bear upon the virtual. To be exact, in the hospital trilogy, the virtual is bound up with a sense of Buddhist religi

有斑点

The Posthuman and the Neo-Baroque in Taiwan Science Fictionion and narration, and destabilizes conventional binary identities and categories such as gender and genre. These writers foreground the fluidity, multiplicity, and queerness in Taiwan science fiction’s metamorphosis in a cultural context full of tensions in terms of identity politics and cultural c

最初

2569-8826 political multiplicity and its formless future, voicing the anticipations and anxieties of a new epoch filled with accelerating alterations and increasing uncertainty.  .978-3-031-53543-7978-3-031-53541-3Series ISSN 2569-8826 Series E-ISSN 2569-8834