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Titlebook: Chinese Science Fiction; Concepts, Forms, and Mingwei Song,Nathaniel Isaacson,Hua Li Book 2024 The Editor(s) (if applicable) and The Author

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发表于 2025-3-21 19:49:45 | 显示全部楼层 |阅读模式
书目名称Chinese Science Fiction
副标题Concepts, Forms, and
编辑Mingwei Song,Nathaniel Isaacson,Hua Li
视频videohttp://file.papertrans.cn/226/225893/225893.mp4
概述Re-orients Chinese literary studies through the science fiction paradigm.Traces the genre in its current form as well as its historical contexts.Covers all historical periods, forms, and themes in Chi
丛书名称Studies in Global Science Fiction
图书封面Titlebook: Chinese Science Fiction; Concepts, Forms, and Mingwei Song,Nathaniel Isaacson,Hua Li Book 2024 The Editor(s) (if applicable) and The Author
描述This volume brings together emerging approaches and addresses shifting paradigms in Chinese science fiction studies, offering a window on fan cultures, internet fiction, gender, eco-criticism, post-humanism and biomedical discourse. These studies present a “second wave” of Chinese sf studies, re-evaluating the canon of Chinese sf print and cinematic production, and expand the range of critical approaches to the subject. The structure of the volume is both chronological and theme-focused. These studies also demonstrate that Chinese science fiction represents a significant contribution to modern Chinese cultural production, both in terms of its value, speaking powerfully to our modern condition, and its sheer volume in terms of production and consumption. Chinese science fiction speaks to both China’s rapidly shifting reality, its political multiplicity and its formless future, voicing the anticipations and anxieties of a new epoch filled with accelerating alterations and increasing uncertainty.  .
出版日期Book 2024
关键词Science Fiction; Chinese literature; Chinese science fiction; science fiction studies; Fantasy Fiction; f
版次1
doihttps://doi.org/10.1007/978-3-031-53541-3
isbn_softcover978-3-031-53543-7
isbn_ebook978-3-031-53541-3Series ISSN 2569-8826 Series E-ISSN 2569-8834
issn_series 2569-8826
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Projecting Eco-Futures: Cinematic Visions of Utopian Science and Ecology from the Mao Era to the Dence in society transforms, what happens to those utopian environmental dreams? This chapter sets out to answer this question by comparing the portrayals of ecology in two science-oriented Chinese films: Li Wenhua’s socialist realist film . (., 1976) and Zhang Hongmei’s . (., 1980), China’s first scie
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Information, the Body, and Humanism in the Chinese Cyber Novel tion, the human body, and humanism. I argue that . is a paradoxical posthumanist parable. One the one hand, the novel demonstrates the indispensable impact of advances in science and technology upon humankind’s seemingly unlimited potential to evolve. On the other hand, the novel insists upon an ont
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Open Up Your Brain Hole: Spatial Imaginaries in Chinese Online Science Fiction symbolic implications of possible and impossible space. This includes multiple dimensions or parallel worlds, paraspace and microworlds, and sudden shifts from one world to another. To understand the logic behind these spatial configurations, we must consider the materiality of online fiction and t
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