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Titlebook: Chinese Science Fiction; Concepts, Forms, and Mingwei Song,Nathaniel Isaacson,Hua Li Book 2024 The Editor(s) (if applicable) and The Author

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楼主: 风俗习惯
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Liu Cixin and the Cosmic Pastoral (conservative?) ethics. Through this study, I finally question the relevance of a political interpretation of his novels, at a time when Chinese science fiction is regularly promoted by Chinese soft power, and how Liu Cixin’s imagination connects or diverges from the official rhetoric of the “Chinese dream”.
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Mingwei Song,Nathaniel Isaacson,Hua LiRe-orients Chinese literary studies through the science fiction paradigm.Traces the genre in its current form as well as its historical contexts.Covers all historical periods, forms, and themes in Chi
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Studies in Global Science Fictionhttp://image.papertrans.cn/c/image/225893.jpg
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https://doi.org/10.1007/b116085es the sociopolitical and literary scenes, genre issues, main authors and their works, and major characteristics of Chinese science fiction in various historical periods in modern China: the emerging period from the Late Qing to the Republican Era; the socialist Mao era from 1949 to the late 1970s;
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The Time-Triggered Architecture, Traveler the Heavens) at the “Academy of Celestial Peregrination.” Encouraged by his disciples, during this time Kang also undertook the publication of his . 諸天書 (The Book of the Heavens), an eclectic piece of juvenilia dating back to 1886 in which he interweaved scientific speculation with cosmolo
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Comparison of Synchronization Concepts,n. This essay argues that the “King of Electricity” in . is the most successful literary image of the scientist in late Qing fiction. This figure signifies the revival of traditional Chinese worship of sage-kings in the heyday of scientific utopianism, and has representative significance for our und
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Klas Nilsson,Anders Blomdell,Olof Laurinnd associated debates over terminology. This terminology is deeply invested in the concept of classification and boundary-crossing, through which literary, ideological, and linguistic categories are invested with meaning and value. As such, I analyze how the epistemological genealogies of SF are los
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