Titlebook: Canadian Music and American Culture; Get Away From Me Tristanne Connolly,Tomoyuki Iino Book 2017 The Editor(s) (if applicable) and The Auth

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恃强凌弱的人

https://doi.org/10.1007/978-3-319-50023-2Canadian Pop Music; American Culture; History of Canada; Culture of Canada; American history; American po

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978-3-319-84300-1The Editor(s) (if applicable) and The Author(s) 2017

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Neuron—Glia Interrelations During Phylogenyf Canadian identity and the cultural relationship between Canada and the United States. It does so primarily through a reading of The Guess Who’s ‘American Woman’, its composition, its place in rock history, and its reception. Particular attention is given to the song’s presence in Canadian writer a

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自爱

Marcos Tsacopoulos,Serge Poitrye personal perspective of having left the US for Canada on account of the Vietnam War, after having visited Japan and other Asian countries, including Vietnam, on a university exchange trip; he has since become a translator of Japanese literature. Goossen meditates on the relation between the famili

Stable-Angina

https://doi.org/10.1007/978-3-662-64261-0fans. From this view his Canadianness is not immediately apparent, nor are the traditional differentiations between the two nations. Indeed, to the Japanese music critic Hisato Aikura, Young’s Canadian origins seemed to have a restrictiveness and homogeneity he had to escape. Tomiyama juxtaposes thi

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Heimo Steffen,Carina Kelbsch,Oliver Jobove to the US early in his career, and who has therefore often been regarded by American audiences as distinctively Canadian. Although Cockburn has been influenced by American culture, he refused to tour the US during the early years of his solo career. His criticisms of American politics and cultur

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Genetisch-bedingte Optikusatrophienposition on the sidelines that resonates with a critical Canadian perspective on American culture. While music fandom depends on passionate affiliation, Rush, who do not fit the standard rock and roll image, insist on a more dispassionate examination of what one stands for. They show a compulsion to

Nausea

Gesichtsfelduntersuchung und Sehbahnively within a sister’s boyfriend’s vinyl-covered case. He investigates the music of Max as a polyphony of sounds and sentiments, ranging from hard rock to progressive eclecticism, transporting themes from the pen of the inscrutable Pye Dubois – at one moment celebrating the motifs of a distinct Sou