Titlebook: Canadian Music and American Culture; Get Away From Me Tristanne Connolly,Tomoyuki Iino Book 2017 The Editor(s) (if applicable) and The Auth

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,‘Outside Looking In’: Saga’s Progressive Protest,one which depicts the aerial destruction of the New York skyline by spaceships. Saga’s multifaceted statements of individual and cultural alienation reach a pinnacle on the 1995 concept album ., a portrait of America’s Generation X. The cover features a sinister Statue of Liberty and the album’s her

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Peace, Order and their Discontents: The Tragically Hip, myths of Canadian identity based on ‘POGG’ (peace, order, and good government). Many Hip songs narrate response to historical moments in which these values come under threat from forcesAmerican cultural, political, and economic hegemony. On the other hand, the Hip’s lyrics demonstrate a correspondi

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,‘If I Can Make it There…’: Jann Arden’s American Dream,has yet to chart another single in the US, despite continued success in Canada, including sold-out shows and albums that persistently achieve Gold or Platinum status. Arden’s struggle to at last achieve more lasting success in the American market became the topic of the 2003 documentary .. Contempla

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,‘Stick it to the Pimp’: Peaches’ Penetration of Postmodern America’s Mainstream, to .. After examining her persona as an inversion of the male rock god, he traces Peaches’ indebtedness to American icons Chrissie Hynde, Pat Benatar and Joan Jett, and Canadian Carole Pope; like these earlier figures and unlike contemporary stars such as Miley Cyrus, Peaches is not a sex object, b

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Neuron—Glia Interrelations During Phylogenydistance. The focus on anglo-Canadian music from the late 1960 s onward allows the collection to examine what could be called the soundtrack of the golden age of Canadian ‘left-nationalism’ and trace that era’s cultural legacy, as it spawned many of the givens which still inform discussion of Canadi

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Neuron—Glia Interrelations During Phylogenyenvisioning ‘a new kind of communal belonging’. In describing erotic love, Mitchell also describes the love of country, and the interplay of tensions and desires inevitable in both, illuminating the troubled romances of English and French, Canada and US, individual and collective, self and other.

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