Titlebook: Canadian Music and American Culture; Get Away From Me Tristanne Connolly,Tomoyuki Iino Book 2017 The Editor(s) (if applicable) and The Auth

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,‘Mean, Mean Pride’: Rush’s Critique of American Cool,ughly queried; not rejected, but examined to find the balance of pros and cons. Idealistically confronting the problems of idealism, Rush powerfully acknowledge, in songs like ‘2112’, all that stands against diverse individual expression, while also, in songs like ‘Closer to the Heart’, seeing the benefits of benevolent leadership.

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,Introduction: ‘Get Away From Me’: Anglo-Canadian Music and the Globalization of American Culture,distance. The focus on anglo-Canadian music from the late 1960 s onward allows the collection to examine what could be called the soundtrack of the golden age of Canadian ‘left-nationalism’ and trace that era’s cultural legacy, as it spawned many of the givens which still inform discussion of Canadi

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,‘Something’s Lost but Something’s Gained’: Joni Mitchell and Postcolonial Lyric,envisioning ‘a new kind of communal belonging’. In describing erotic love, Mitchell also describes the love of country, and the interplay of tensions and desires inevitable in both, illuminating the troubled romances of English and French, Canada and US, individual and collective, self and other.

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,‘The Usual Panic in Red, White and Blue’: Bruce Cockburn’s America,of power that many other nations, including Canada, have helped to support in a world of increasingly mobile global capital’. Hutchings particularly focuses on Cockburn’s concern for the environment, Indigenous peoples, and the ‘Third World’ (including songs that arose from the artist’s journey to C