Titlebook: British Women‘s Writing from Brontë to Bloomsbury, Volume 1; 1840s and 1850s Adrienne E. Gavin,Carolyn W. de la L. Oulton Book 2018 Springe

Microaneurysm

‘There never was a mistress whose rule was milder’: Sadomasochism and Female Identity in Charlotte Bdomasochistic relationships depicts the complexity of an individual woman’s desires, and the very novelty and complexity of those desires creates a proto-feminist space inside a greater culture of submission and (self-)victimization.

小故事

and ‘the green trash of the railway stall’: George Eliot and the Lady Novelists of 1859lover and a more exciting prospect. . differs from popular novels by female authors in its use of sympathy and its historical setting, something which is largely absent from the popular fiction of the year.

occurrence

注意

978-3-030-08648-0Springer Nature Switzerland AG 2018

纹章

‘Powerful beyond all question’: Catherine Crowe’s Novels of the 1840sns of inferiority and weakness. Generically these books span the line between the Newgate novels of the 1840s and the sensation novels of the 1860s, including elements of crime, sensation, and scandal. Crowe’s radical contribution is to present detection as well as crime in the working class.

Critical

British Women‘s Writing from Brontë to Bloomsbury, Volume 1978-3-319-78226-3Series ISSN 2523-7160 Series E-ISSN 2523-7179

MIR

expansive