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Titlebook: British Women‘s Writing from Brontë to Bloomsbury, Volume 1; 1840s and 1850s Adrienne E. Gavin,Carolyn W. de la L. Oulton Book 2018 Springe

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Case Studies of Marketing Behaviourracters within the period’s domestic fiction. Validating femininity’s moral power by celebrating disability’s spiritual and affective power, the novels also, through disabled women’s perceived exclusion from the marriage plot, articulate alternative narrative possibilities for female characters, including as artist and exemplar.
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https://doi.org/10.1057/9780230375178 Ruskin, Gaskell’s female characters implicitly challenge two of the processes associated with the rise of commodity culture in industrial Britain: the abstraction of commodities into money value and the spectacularization of consumer goods.
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Market Research on the Internet,lover and a more exciting prospect. . differs from popular novels by female authors in its use of sympathy and its historical setting, something which is largely absent from the popular fiction of the year.
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Introductionle women, masculinity, and the impediments of marriage. It also outlines the content of the volume’s chapters which confirm that the assumption of stability and the threat of change are not mutually exclusive in mid-nineteenth-century texts.
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‘Excluded from a woman’s natural destiny’: Disability and Femininity in Dinah Mulock’s , and Charlotracters within the period’s domestic fiction. Validating femininity’s moral power by celebrating disability’s spiritual and affective power, the novels also, through disabled women’s perceived exclusion from the marriage plot, articulate alternative narrative possibilities for female characters, including as artist and exemplar.
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