Titlebook: British Women‘s Writing from Brontë to Bloomsbury, Volume 1; 1840s and 1850s Adrienne E. Gavin,Carolyn W. de la L. Oulton Book 2018 Springe

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书目名称British Women‘s Writing from Brontë to Bloomsbury, Volume 1影响因子(影响力)学科排名




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书目名称British Women‘s Writing from Brontë to Bloomsbury, Volume 1网络公开度学科排名




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书目名称British Women‘s Writing from Brontë to Bloomsbury, Volume 1读者反馈学科排名

HERE

Jane Eyre, Orphan Governess: Narrating Victorian Vulnerability and Social Change

飞镖

British Women‘s Writing from Brontë to Bloomsbury, Volume 11840s and 1850s

dithiolethione

Book 2018c tradition, the politicization of the domestic sphere, and the development of crime and sensation writing. Centrally, it reassesses key mid-nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary l

Agnosia

幼稚

‘Pleasant, easy work, -& not useless, I hope’: Harriet Martineau as a Children’s Writer of the 1840s instability of the genre. Exploring the dynamic relations between boy heroes and older female figures, Martineau takes a disunited community as the setting of her tales of endurance. In each of these overtly shocking stories, the boy hero must learn to renegotiate his place in the world. Above all,

puzzle

‘Powerful beyond all question’: Catherine Crowe’s Novels of the 1840sns of inferiority and weakness. Generically these books span the line between the Newgate novels of the 1840s and the sensation novels of the 1860s, including elements of crime, sensation, and scandal. Crowe’s radical contribution is to present detection as well as crime in the working class.

投射

Women in Service: Private Lives and Labour in Mary Howitt’s nesses, the social changes of the 1840s permeated the home as well as the public sphere. It was in this context that middle-class women and their servants played a key role in shaping social interactions, and a focus on the figure of the servant offers new ways of interpreting the intersections of c

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Confronting the 1840s: Christian Johnstone in Criticism and Fiction in the domestic realm, they themselves were professionals operating across public and private spaces. Johnstone not only reviewed work by and about other women writers, including the collected diaries and letters of novelist Fanny d’Arblay (née Burney), she also co-edited ., making her the first wo

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