Titlebook: British Romanticism in Asia; The Reception, Trans Alex Watson,Laurence Williams Book 2019 The Editor(s) (if applicable) and The Author(s),

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A Japanese Blake: Embodied Visions in William Blake’s , (1790) and Tezuka Osamu’s , (1967–88)d image, eliding traditional Western distinctions between abstract word and concrete sensation. In this sense both artists create embodied narratives, ones which reposition stories in shape, line, and formal bodies.

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2524-7638 anath Tagore, and Xu Zhimo). The essays also challenge Eurocentric assumptions about reception and periodization, exploring how, since the early nineteenth century, British Romanticism has been creatively adapted and transformed by Asian writers..978-981-13-3001-8Series ISSN 2524-7638 Series E-ISSN 2524-7646

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,British Romanticism in Asia, 1820–1950: Modernity, Tradition, and Transformation in India and East ld literature, and translation theory. We explore a series of interlinked historical movements between around 1820 and 1950, during which British Romanticism was first introduced to India and East Asia in the context of British colonialism and cultural imperialism, translated into national languages

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The News from India: Emma Roberts and the Construction of Late Romanticismd from Edinburgh to London to Kolkata and back again, as did writers themselves. A key figure in this circulation of verse (and also of travel writing and sociological journalism) was Emma Roberts (1794–1840), who accompanied her sister to India in 1828 and worked for three years in Bengal and North

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An “Exot” Teacher of Romanticism in Japan: Lafcadio Hearn and the Literature of the Ghostlyterary canons. And yet it is noteworthy that he was deeply indebted to English Romanticism and its legacy in the Victorian period for inspiration, themes, and subjects. This article aims to elucidate how Hearn’s cosmopolitanism and interest in what he terms “the ghostly” were formulated through his

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