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Titlebook: British Romanticism in Asia; The Reception, Trans Alex Watson,Laurence Williams Book 2019 The Editor(s) (if applicable) and The Author(s),

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期刊全称British Romanticism in Asia
期刊简称The Reception, Trans
影响因子2023Alex Watson,Laurence Williams
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发行地址Explores the reception of British Romanticism in India and East Asia.Challenges Eurocentric assumptions about literary reception and periodis.Offers a new cultural model of scholarship in which “Asian
学科分类Asia-Pacific and Literature in English
图书封面Titlebook: British Romanticism in Asia; The Reception, Trans Alex Watson,Laurence Williams Book 2019 The Editor(s) (if applicable) and The Author(s),
影响因子This book examines the reception of British Romanticism in India and East Asia (including China, Japan, Korea and Taiwan). Building on recent scholarship on “Global Romanticism”, it develops a reciprocal, cross-cultural model of scholarship, in which “Asian Romanticism” is recognized as itself an important part of the Romantic literary tradition. It explores the connections between canonical British Romantic authors (including Austen, Blake, Byron, Shelley, and Wordsworth) and prominent Asian writers (including Natsume Sōseki, Rabindranath Tagore, and Xu Zhimo). The essays also challenge Eurocentric assumptions about reception and periodization, exploring how, since the early nineteenth century, British Romanticism has been creatively adapted and transformed by Asian writers..
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Asia-Pacific and Literature in Englishhttp://image.papertrans.cn/b/image/191152.jpg
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The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor
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Segment Attractiveness (Steps 8–11)d from Edinburgh to London to Kolkata and back again, as did writers themselves. A key figure in this circulation of verse (and also of travel writing and sociological journalism) was Emma Roberts (1794–1840), who accompanied her sister to India in 1828 and worked for three years in Bengal and North
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Step 8: Selecting the Target Segment(s)university and the turbulent political history of modern Chinese poetry. Jin shows how Empson’s modernist course at ., the refugee university, inspired a local wartime poetics that at once rejected literary Romanticism while retaining a romantic quality of nationalistic passion. The article then exp
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