Titlebook: Beckett and Politics; William Davies,Helen Bailey Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Sp

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Samuel Beckett’s Subaltern Figureson of the Marxist concept of the urban ‘proletarian’ of northern Italian cities, in order to equally acknowledge the oppression suffered by the small Catholic landholders of the country’s agrarian south.

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Culture and Cultural Dimensions,on his post-war stage. In contrast to the physically perfect and socially obedient fascist body, . (1953) presents a range of impaired human figures which are politically resistant by way of their visibility and their refusal to be neatly contained within a prescribed social choreography.

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Organisational Factors, the Last Frontier?,tate. With this in mind, this chapter argues that the political concerns of early twentieth-century Irish life, which are inescapable given their ubiquity in the national discourse, informed much of Beckett’s thinking when he came to compose the novel ..

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and the Fascist Aesthetics of the Bodyon his post-war stage. In contrast to the physically perfect and socially obedient fascist body, . (1953) presents a range of impaired human figures which are politically resistant by way of their visibility and their refusal to be neatly contained within a prescribed social choreography.

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Book 2021ether internationally established and emerging scholars, .Beckett and Politics. considers Beckett’s work as it relates to three broad areas of political discourse: language politics, biopolitics and geopolitics. Through a range of critical approaches, including performance studies, political theory,

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