Titlebook: Beckett and Politics; William Davies,Helen Bailey Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Sp

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Samuel Beckett’s Nominalist Politics and the Pitfalls of ‘Presentism’ed term, ‘high politics’, or what is sometimes called ‘geopolitics’: the tectonic plates of international relations, of central types and objectives of domestic governance, and in the totalitarianism, total war and genocide of twentieth-century Europe witnessed by Beckett, which were unthinkable pre

IOTA

Samuel Beckett’s Subaltern Figuresf socio-economic disadvantage, societal oppression, misrecognition and identity aporia that characterise the protagonists of . and . In doing so, the chapter demonstrates how Beckett’s incorporation of the bottom-up perspective of his previously silent subalterns constitutes one of the biggest styli

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The Big House in the Suburbs: Home Thoughts from Abroad in in mind that the whole of his life to that point was experienced in the shadow of an equally strong environment of political, military and social upheaval in his native country. Born in Ireland in 1906, he witnessed the unsuccessful military rebellion of 1916, the prolonged guerrilla war of Independ

Carcinogenesis

Beckett and the Politics of Empathy in Site-Specific Theatrey in site-specific theatre, this chapter focuses on the contemporary problem of representing suffering through site-specific theatre in the work of Beckett—looking specifically at the work of three directors: Susan Sontag’s ., Paul Chan’s . and Sarah Jane Scaife’s productions of performances based o

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How Does Machine Intelligence Emerge?,e very ground of the oppositions between conceptuality and materiality, the mind and the body, the rational and the irrational, that structure conventional political and ethical modalities of thought, action and responsibility.

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https://doi.org/10.1007/978-3-319-09432-8s. Supported by historiographical methods and extended interview with Howarth, as well as access to original documentation from Howarth’s private archive, this chapter offers new readings into this seminal South African production and the neglected politics of Beckett and race on South African and i