Titlebook: Baroque Naturalism in Benjamin and Deleuze; The Art of Least Dis Tim Flanagan Book 2021 The Editor(s) (if applicable) and The Author(s), un

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Yukiko Himeno,Chae Young Cha,Akinori Noma“The Sublime Words of the Third .” considers the sense in which Plotinus’ thought serves to illustrate the inherently relational understanding of concepts set out in the previous chapters could be taken as a phenomenological account of ‘the Art of Least Distances’.

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The Sublime Words of the Third ,“The Sublime Words of the Third .” considers the sense in which Plotinus’ thought serves to illustrate the inherently relational understanding of concepts set out in the previous chapters could be taken as a phenomenological account of ‘the Art of Least Distances’.

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https://doi.org/10.1007/978-1-4471-4309-3ining form. Here, key aspects of Turner’s paintings and Borges’ fables are shown to adduce a sense of . that is to be understood not so much as ‘artless’ as complex. A following section reads the technical consideration of ‘intervals’ and ‘distances’ in Greek geometry in order to consider how seemin

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https://doi.org/10.1007/978-3-319-65355-6he chapter shows how this notorious question of art-history (of canonical definition and classification) together with the characterisation of seventeenth-century sensibility (as one of agitation and hallucination) are evinced in the distinction between seeing and reading—and how the realisation of

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reserve

Jonathan D. Moreno,Colleen E. Clancym about predication and the relational being of concepts. It does this through a reading of sophistry and the energy implied in the distinction between homonymy and synonymy developed by Barbara Cassin.

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