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Titlebook: Baroque Naturalism in Benjamin and Deleuze; The Art of Least Dis Tim Flanagan Book 2021 The Editor(s) (if applicable) and The Author(s), un

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发表于 2025-3-21 18:42:29 | 显示全部楼层 |阅读模式
期刊全称Baroque Naturalism in Benjamin and Deleuze
期刊简称The Art of Least Dis
影响因子2023Tim Flanagan
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发行地址Provides the first critical close reading of Deleuze’s complex and understudied final monograph.Situates the baroque ‘crisis of reason’ within ongoing research on religion, art, and nature in post-Kan
图书封面Titlebook: Baroque Naturalism in Benjamin and Deleuze; The Art of Least Dis Tim Flanagan Book 2021 The Editor(s) (if applicable) and The Author(s), un
影响因子.​This book, itself a study of two books on the Baroque, proposes a pair of related theses: one interpretive, the other argumentative. The first, enveloped in the second, holds that the significance of allegory Gilles Deleuze recognized in Walter Benjamin’s 1928 monograph on seventeenth century drama is itself attested in key aspects of Kantian, Leibnizian, and Platonic philosophy (to wit, in the respective forms by which thought is phrased, predicated, and proposed).The second, enveloping the first, is a literalist claim about predication itself – namely, that the aesthetics of agitation and hallucination so emblematic of the Baroque sensibility (as attested in its emblem-books) adduces an avowedly metaphysical ‘naturalism’ in which thought is .replete. with predicates. Oriented by Barbara Cassin’s development of the concerted sense in which homonyms are critically distinct from synonyms, the philosophical claim here is that ‘the Baroque’ names the intervallic [διαστηµατική] relation that thought establishes between things. On this account, any subject finds its unity in a concerted state of disquiet – a state-.rempli. in which, phenomenologically speaking, experience comprises as
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发表于 2025-3-21 21:38:16 | 显示全部楼层
Nonlinear and Fractal Analysis,The way they do this is to show that the very . of the ‘concept’ is something that shares a trajectory with ‘conditions’ that are congruent, coincident, and continuous (rather than contiguous) with experience.
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https://doi.org/10.1007/978-3-319-65355-6enth-century sensibility (as one of agitation and hallucination) are evinced in the distinction between seeing and reading—and how the realisation of such an experience is what gives Benjamin’s interest in allegory its philosophical register and, at the same time, allows for the recognition of the same in Deleuze.
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Theses on the Baroque,enth-century sensibility (as one of agitation and hallucination) are evinced in the distinction between seeing and reading—and how the realisation of such an experience is what gives Benjamin’s interest in allegory its philosophical register and, at the same time, allows for the recognition of the same in Deleuze.
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