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Titlebook: Baroque Naturalism in Benjamin and Deleuze; The Art of Least Dis Tim Flanagan Book 2021 The Editor(s) (if applicable) and The Author(s), un

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楼主: EVOKE
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Book 2021s, the philosophical claim here is that ‘the Baroque’ names the intervallic [διαστηµατική] relation that thought establishes between things. On this account, any subject finds its unity in a concerted state of disquiet – a state-.rempli. in which, phenomenologically speaking, experience comprises as
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relation that thought establishes between things. On this account, any subject finds its unity in a concerted state of disquiet – a state-.rempli. in which, phenomenologically speaking, experience comprises as978-3-030-66400-8978-3-030-66398-8
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,‘,’, (a Baroque Theme),ining form. Here, key aspects of Turner’s paintings and Borges’ fables are shown to adduce a sense of . that is to be understood not so much as ‘artless’ as complex. A following section reads the technical consideration of ‘intervals’ and ‘distances’ in Greek geometry in order to consider how seemin
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Theses on the Baroque,he chapter shows how this notorious question of art-history (of canonical definition and classification) together with the characterisation of seventeenth-century sensibility (as one of agitation and hallucination) are evinced in the distinction between seeing and reading—and how the realisation of
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Tim FlanaganProvides the first critical close reading of Deleuze’s complex and understudied final monograph.Situates the baroque ‘crisis of reason’ within ongoing research on religion, art, and nature in post-Kan
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