Titlebook: Australian Screen in the 2000s; Mark David Ryan,Ben Goldsmith Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Australian Sc

euphoria

stress-response

arbiter

FOIL

https://doi.org/10.1007/978-1-349-12650-7ries produced by HBO—from . (1999−2007) to . (2011−)—. is an example of a new form of television with its own distinctive mode of narration. This chapter uses . as a case study through which to explore the ways in which the mode of narration employed in HBO series has influenced television made in A

Gudgeon

Gordon S. Haight,Hugh Witemeyerhat explain how the public understands what Australian consumers have lost following the decline of video stores, or will lose in a post-video store era: from the materiality of filmic objects to, paradoxically, the loss of a perceived ease of access. These narratives complicate the notion that vide

Pastry

: Australianising HBO-Style Television?ries produced by HBO—from . (1999−2007) to . (2011−)—. is an example of a new form of television with its own distinctive mode of narration. This chapter uses . as a case study through which to explore the ways in which the mode of narration employed in HBO series has influenced television made in Australia in the 2000s.

incredulity

Pituitary-Gland

crescendo

Gender Matters: Gender Policy and the Rewriting of the Mother–Daughter Narrative in Contemporary Ausre Margot Nash’s personal essay documentary film . (2015), Sophie Hyde’s queered coming-of-age film . (2014) and Sue Brooks’ dramedy . (2015). Whilst these three films differ in genre, aesthetic and budget, each uses interruption as way of creating spaces for different kinds of intergenerational female stories.

THROB

The Laughter and the Tears: Comedy, Melodrama and the Shift Towards Empathy for Mental Illness on Scoint of audience identification. To illustrate this shift, Hopgood examines five feature films that traverse melodrama and comedy—. (2007); . (2007); . (2008); . (2009); and . (2012)—and finds that each employs a range of strategies to encourage our empathy for the character living with a mental illness.