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Titlebook: Australian Screen in the 2000s; Mark David Ryan,Ben Goldsmith Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Australian Sc

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发表于 2025-3-21 18:04:47 | 显示全部楼层 |阅读模式
期刊全称Australian Screen in the 2000s
影响因子2023Mark David Ryan,Ben Goldsmith
视频video
发行地址Adopts an approach that combines both national and transnational understandings of contemporary Australian screen media including film, documentary film and television.One of the most comprehensive ex
图书封面Titlebook: Australian Screen in the 2000s;  Mark David Ryan,Ben Goldsmith Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Australian Sc
影响因子.This book provides coverage of the diversity of Australian film and television production between 2000 and 2015. In this period, Australian film and television have been transformed by new international engagements, the emergence of major new talents and a movement away with earlier films’ preoccupation with what it means to be Australian. With original contributions from leading scholars in the field, the collection contains chapters on particular genres (horror, blockbusters and comedy), Indigenous Australian film and television, women’s filmmaking, queer cinema, representations of history, Australian characters in non-Australian films and films about Australians in Asia, as well as chapters on sound in Australian cinema and the distribution of screen content. The book is both scholarly and accessible to the general reader. It will be of particular relevance to students and scholars of Anglophone film and television, as well as to anyone with an interest in Australian culture andcreativity..
Pindex Book 2017
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Picking Up the Pieces: Contemporary Australian Cinema and the Representation of Australian Film Histween the 1960s and 1990s—including . (1967), . (1978) and . (1995)—that acted to recognise a forgotten, if broadly conceptualised, history of Australian cinema and make claims for the resurgence and continuity of its ‘revival’. This chapter looks at a range of contemporary feature-length documentar
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Australian Blockbuster Moviescharacteristics of the Hollywood blockbuster can take on new meaning in different national production systems, they nevertheless provide a useful framework for distinguishing ‘local’ examples. Drawing on blockbuster studies, this chapter delineates peculiarities in defining high-budget movies in the
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UnAustralians: Australian Characters in Non-Australian Filmsbeen considered in the conversation around cinema in this country. Examples can be found from cinema’s early days, and in contemporary films. For the most part, they draw on conservative and anachronistic stereotypes that do not represent or reflect the cultural, ethnic and racial diversity of conte
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The Laughter and the Tears: Comedy, Melodrama and the Shift Towards Empathy for Mental Illness on Sce describes as ‘the shift towards empathy’. Building on earlier films such as . (1990) and . (1996), these Australian films and TV shows offered portrayals of mental illness that went beyond cliché and stereotype, and instead presented complex, empathetic characters who were the protagonist or the p
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