Titlebook: Australian Radio Listeners and Television Viewers; Historical Perspecti Bridget Griffen-Foley Book 2020 The Editor(s) (if applicable) and T

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Viewing Television by Committee,ent and composition of, and the negotiations around, its state-based Television Viewers’ Committees. In examining the Committees’ rise and fall, the chapter touches on the special role of Western Australia in the ABC’s federal imaginings.

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Book 2020rcial and public service broadcasting sectors, it recovers and explores the lived experiences of a wide cross-section of Australian listeners and viewers. Offering new perspectives on how audiences have responded to broadcast content, and how radio and television stations have been part of the lives

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Book 2020ittees. It also opens up the fan mail received by Australian broadcasting stations and personalities, delves into the complaints files of regulators, and teases out the role of participants and studio audiences in popular matchmaking programs..

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,How George Eliot’s People Think, for children and women, on commercial stations and the Australian Broadcasting Commission in cities and the regions since the late 1950s. It concludes with the demise of traditional radio clubs, with members and meetings, due to changing Australian patterns of work and leisure.

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https://doi.org/10.1007/978-1-349-05969-0ncerning fan mail; and the ways audiences marked the ending of iconic programs such as . and .. We delve into the papers of some of Australia’s most popular radio and television personalities, including music broadcaster Bernard Heinze, writer Gwen Meredith, actress Ruth Cracknell and the satirical sports broadcasters ‘Roy and H.G.’