Titlebook: Audiovisual Tourism Promotion; A Critical Overview Diego Bonelli,Alfio Leotta Book 2021 The Editor(s) (if applicable) and The Author(s), un

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The Promotion of Tourism on Radio Wavesan important vehicle for information and communication and may positively or negatively influence the image that the potential consumer has of a tourist destination or service. In recent years, new media have gained significant prominence in terms of increasing use by consumers and tourism organizat

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Digital Content Creation and Storytelling at the Time of COVID-19: Tourism Ireland’s Online Film eans of meaning-making channelled through various digital media, videos are crucial in the creation and dissemination of compelling and meaningful stories about destinations and their values. Due to its affective power, and because it offers users the opportunity to tour the destination virtually, a

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Virtual Tourism in the Age of COVID-19: A Case Study of the Faroe Islands’ ‘Remote Tourism’ Campaignsuch as Virtual Reality (VR). Recently, a number of scholars have pointed out how technological advances in the field of VR can provide tourists with both a ‘taste’ of the tourism experience and a set of rich and trustworthy information (Rainoldi et al. .; Beck et al. .). From this point of view, VR

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Fabulous Locations: Tourism and Fantasy Films in Italyed examples such as . (2001–2003) in New Zealand, . (2001–2011) in Great Britain, and . (2011–2019), filmed across several European countries, belong to the fantasy genre. This particular genre, with its often imaginary settings and reliance on digital effects that sometimes deeply affect the repres

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Screen Tourism on the Smartphone: A Typology and Critical Evaluation of the First Decade of Smart Scnging from digital versions of printed maps to the locative and virtual screen tourism experiences enabled by ubiquitous mobile data. It develops a typology of screen tourism apps based on a mixed-methods approach, including case studies of screen tourism activities related to European Noir crime st

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Colourful Scenery, Colourful Language: Representing White Australia in the ‘Where the Bloody Hell arphy such as the outback, white sand beaches, kangaroos, Indigenous dancers, Uluru, and the Sydney Harbour Bridge. The picturesque landscape images of Australia also featured ‘everyday’ Australians including a young blonde, bikini-clad woman who, at the end of the visual montage, addresses the camera