Titlebook: Art Maps and Cities; Contemporary Artists Gloria Lanci Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license t

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Introduction,sinuated into particularities of the urban space producing ‘cartographies from the ground’: maps that tell hidden stories, register unaccounted moments and pursue concrete, either real or imagined, viewpoints of the daily life in cities.

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Urban Art Maps in Cultural Context,cussed as a social construct intrinsically connected with the ‘art world’ that emerged in the second half of the twentieth century, a time of increasing urbanisation that is marked by the emergence of global cities and networked societies.

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Liverpool: A City in Maps,ween 2008 and 2011. Interviews with the artists (in London, with Stephen Walter and Ben Johnson, and in the National Glass Centre, Sunderland, with Inge Panneels and Jeffrey Sarmiento) discuss the methods and circumstances involved in the production of the Liverpool maps, providing an original insight into the artists’ mapping practices.

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Introduction,n and design new cities and urban lifestyles. The latest chapter of this history started between the 1910s and 1920s, when artists playfully started to experiment with maps as art subjects. From the 1960s onwards, critical practices aimed to debate the dogmas of cartography and planning, through the

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Urban Art Maps in Cultural Context,, are expressions to communicate and convey meaning, and the definition of ‘map’ implies to understand mapping practices as acts of ‘translating’ spatial knowledge. The concept of ‘urban’ discusses narratives of the city as visual representations, in language and social theories, that oriented studi

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