Titlebook: Art Maps and Cities; Contemporary Artists Gloria Lanci Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license t

Legion

https://doi.org/10.1007/978-3-663-08139-5 century the ubiquity of digital maps and their widespread presence in everyday life, seem not to have affected the incubation of art maps and creative processes, but instead to have nurtured them. Digital technologies expanded the cartographic realm, as much as the printing technology of the fiftee

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Book 2022 of cities in maps, and the relationships that can be envisaged between art maps and cities in the contemporary world, little research is dedicated to investigating how artists intervene in the realm of urban cartography. The research examines a century-old history of art maps and draws on academic

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Incorporate

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https://doi.org/10.1007/978-3-662-67409-3cussed as a social construct intrinsically connected with the ‘art world’ that emerged in the second half of the twentieth century, a time of increasing urbanisation that is marked by the emergence of global cities and networked societies.

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Alfred Wagenhofer,Ralf Ewert,Georg Schneiderthe cultural construction of acts of seeing. It then discusses modes of representing the world throughout history, the contestation of cartographic traditions and alternative propositions of performance, agency and deep mapping.

Enteropathic

,Bilanzpolitik — Spezialfragen,ments in the 1920s, to the situationists and conceptual artists of the mid-twentieth century, to the counter-mappings of the early twenty-first century, artist-designed maps confronted conventional cartographic practices and challenged traditional representations of space.

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