Titlebook: Art Cinema and Neoliberalism; Alex Lykidis Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer

rectocele

Lecture Notes in Computer Science and rhetorical contestations in . and . challenge the internal exclusions of French Republicanism and the cold economism of neoliberalism. The chapter concludes with a discussion of how deviations from individualism and realism in these films go against the pretense of impartiality commonly associated with art cinema.

BRIEF

Extensions of Logic Programmingtory logic of xenophobic displacements of neoliberal crisis. The chapter concludes with a consideration of Haneke’s antagonistic authorship which is related to the class particularism of earlier art cinema.

引导

Introduction: Art Cinema and the Aesthetics of Crisis,contemporary auteurs are revising art cinema conventions in order to address the various social, political and cultural crises generated by neoliberalism. The chapter concludes with summaries of the remaining chapters and an overview of the book’s overall structure.

Neonatal

Poetics of Debt: Disruptive Realism in , and f the Argentine bourgeoisie. The critical perspectives of both films invert the selective moralism of neoliberal debt discourse. The chapter concludes with an analysis of how . and . combine various forms of realism to explore social rather than financial conceptions of debt.

敏捷

Political Exclusion and Cultural Difference: Challenging Objectivity in , and and rhetorical contestations in . and . challenge the internal exclusions of French Republicanism and the cold economism of neoliberalism. The chapter concludes with a discussion of how deviations from individualism and realism in these films go against the pretense of impartiality commonly associated with art cinema.

hypnotic

Multiculturalism as Class Trauma: Antagonistic Authorship in ,, , and tory logic of xenophobic displacements of neoliberal crisis. The chapter concludes with a consideration of Haneke’s antagonistic authorship which is related to the class particularism of earlier art cinema.

SOBER

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