Titlebook: Art Cinema and Neoliberalism; Alex Lykidis Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer

Orthosis

书目名称Art Cinema and Neoliberalism影响因子(影响力)




书目名称Art Cinema and Neoliberalism影响因子(影响力)学科排名




书目名称Art Cinema and Neoliberalism网络公开度




书目名称Art Cinema and Neoliberalism网络公开度学科排名




书目名称Art Cinema and Neoliberalism被引频次




书目名称Art Cinema and Neoliberalism被引频次学科排名




书目名称Art Cinema and Neoliberalism年度引用




书目名称Art Cinema and Neoliberalism年度引用学科排名




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书目名称Art Cinema and Neoliberalism读者反馈学科排名

极端的正确性

Poetics of Debt: Disruptive Realism in , and cumentary realism is used in Abderrahmane Sissako’s . (2006) to foreground the heightened antagonisms between creditors and debtors in the neoliberal era. The politicization of debt in . is related to the work of African debt resistance organizations, the abstractions of neoliberal credit systems an

补角

Crisis of Sovereignty: Anti-psychologism in ,, ,, , and tyranny of authority figures in Yorgos Lanthimos’s . (2009) and . (2011). The impersonal, officious and miscommunicative dialogue in these films is scrutinized in relation to the organizational gothic genre and the technocratic language used to legitimate neoliberalism. There is an analysis of the w

BAIT

Return of the Oppressed: Complex Identification in the heightened electoral impact of working-class voters. The abandonment of the working class by center-left parties previously aligned with labor movements has opened the door for the co-optation of popular discontent with neoliberalism by right-wing populists. These political dynamics are examined

抛物线

Political Exclusion and Cultural Difference: Challenging Objectivity in , and ony. The exclusionary treatment of people of color in contemporary France is examined through an allegorical analysis of narrative space in Abdellatif Kechiche’s . (2007) and Laurent Cantet’s . (2008). Studies of family melodrama and the writing of Chantal Mouffe are used to relate these films to th

合同

实现

Afterword-2008 period. The rest of the chapter considers the way art cinema can remain politically relevant by engaging with popular culture, addressing the systemic cruelty of contemporary capitalism and providing ethical and social alternatives to the current order. The chapter concludes with an analysis o

发誓放弃

红润

María José Ramírez,Moreno Falaschily intervene in a crisis situation. There is an analysis of the crisis tendencies of the neoliberal period and the strategies of legitimation used to consolidate neoliberal rule. Through an engagement with theories of Brechtian estrangement and Russian Formalist defamiliarization, this chapter propo

exigent

Lawrence C. Paulson,Andrew W. Smithcumentary realism is used in Abderrahmane Sissako’s . (2006) to foreground the heightened antagonisms between creditors and debtors in the neoliberal era. The politicization of debt in . is related to the work of African debt resistance organizations, the abstractions of neoliberal credit systems an