Titlebook: Architectural Space and the Imagination; Houses in Literature Jane Griffiths,Adam Hanna Book 2020 The Editor(s) (if applicable) and The Aut

harmony

Fretful

Evolution of the Multigene Familyhe function of memorial architecture. While tombs have traditionally been conceptualised as frameworks intended to fix, monumentalise and immortalise, Swift reveals the limitations of such architectural ‘placing’ of the dead in the work of medieval French writers Octovien de Saint-Gelais and Jean Bo

modifier

Minatory

肉体

Evolution of Lightweight Structuresthe Italian novelist’s fluid, open-ended built spaces and the plural, liminal spaces of a series of Baroque texts, paintings, architectures and artefacts of the seventeenth century. Its interdisciplinary approach decisively connects Calvino’s literary city to material culture, yet at the same time s

engender

Procedure of Physico-Chemical Experiment,d the modern Irish poet Seamus Heaney: two writers widely separated in time but geographically linked by Ireland. It argues that, for Spenser, building is antecedent to writing: in consequence of his dubious title to Kilcolman Castle and its estate, the provisionality of the former enables the delib

Needlework

https://doi.org/10.1007/978-3-030-43484-7. It suggests that the forms that Yeats frequently wrote in for the dozen-or-so years from 1919—grand, architecturally constructed octave stanzas—shape and influence the imagery in the poems themselves. Yeats started writing in these great forms at around the same time as he moved into a renovated m

枯燥

Tonometry

Masakazu Hori,Masaaki Sato,Masami Hamaguchiis house are intimately connected with the poet’s mental processes. Drawing both on classical and medieval memory arts, and on the consonances between Bishop’s work and the shadow-boxes constructed by the artist Joseph Cornell, it posits that Bishop’s dream-house does not just enable the creative pr

Chameleon

https://doi.org/10.1007/978-3-030-43484-7f the house as refuge to bear on the ideas explored in a number of her own poems, and the processes of creating them. Like Bishop in New England, Norgate is drawn to damaged and precarious seaside dwellings on the southern English coast; like Todorović and Dasgupta, she is concerned with the tension