Titlebook: American–Australian Cinema; Transnational Connec Adrian Danks,Stephen Gaunson,Peter C. Kunze Book 2018 The Editor(s) (if applicable) and Th

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The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of ,ts typically feminised suburban domestic space as the basis of an alternative Australian gothic, distinct from those films that equate Australianness with masculinity. Although Kent herself emphasises the deliberate placelessness of her film, this discussion focuses on how its depiction of a haunted

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Defining Neverland: P. J. Hogan, J. M. Barrie and , in Post-Mabo Australiaoffice. Yet, Hogan’s version of J.M. Barrie’s most famous narratives merits discussion as a work that positions colonialism’s lingering influence in dialogue with the nation’s anxieties over globalized forces such as Hollywood. Chapter . argues that, by reframing Barrie’s Neverland within the contex

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ly porous production, distribution, and exhibition associati.This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent st

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Die Ermittlung der inneren Spannungen,d styles with which First Nation films have entered into dialogue with American cinema, my focus is on two very different Aboriginal filmmakers, Tracey Moffatt and Ivan Sen, whose films demonstrate processes of intercultural exchange and fusion with Hollywood cinema.

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