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Titlebook: American–Australian Cinema; Transnational Connec Adrian Danks,Stephen Gaunson,Peter C. Kunze Book 2018 The Editor(s) (if applicable) and Th

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期刊全称American–Australian Cinema
期刊简称Transnational Connec
影响因子2023Adrian Danks,Stephen Gaunson,Peter C. Kunze
视频video
发行地址Provides a framework and impetus for future studies on this growing field of transnational enquiry.Frames Australian cinema through its highly porous production, distribution, and exhibition associati
图书封面Titlebook: American–Australian Cinema; Transnational Connec Adrian Danks,Stephen Gaunson,Peter C. Kunze Book 2018 The Editor(s) (if applicable) and Th
影响因子.This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US.  To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course overthe last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of na
Pindex Book 2018
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verthe last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of na978-3-319-88298-7978-3-319-66676-1
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Die Ermittlung der inneren Spannungen,ue suggests an alternate narrative that begins with the 1981 reconstruction of the film. The reconstruction ruptures the spatial and temporal unity of the film by incorporating into the diegesis archival material that spans temporally and spatially diverse domains of cultural production. Through an
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Die Ermittlung der inneren Spannungen,orical context for what would become a vibrant and diverse Indigenous cinema, I discuss how Indigenous peoples have been represented by non-Indigenous filmmakers, in particular in the Bushranger film genre, a hybridised Australian version of the Hollywood western. I explore the confluences and cultu
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Die Grundzäge des Eisenbetonbauesly and physically challenging parts rather than glamorous roles, Collette has crafted an anti-star persona by playing women living with mental illness or psychological trauma, or mothers caring for family members with mental health issues. Chapter 4 discusses key films that helped establish Collette
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Die Grundzüge des Eisenbetonbauestakings. . reviewer Tom Buckley noted with some irritation that its dialogue had been dubbed and was often out of sync. Declaring the film “ugly and incoherent,” Buckley states: “much of the rudimentary dialogue in this Australian film has been dubbed from ‘strine,’ the thick dialect of the subconti
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