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Titlebook: American War Cinema and Media since Vietnam; Politics, Ideology, Patricia Keeton,Peter Scheckner Book 2013 Patricia Keeton and Peter Schec

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https://doi.org/10.1007/978-3-662-42526-8ldiers to shoot and kill their fellow men and women is not as natural as war films and statistics might suggest. Marshall found that for every one hundred soldiers fighting in World War II, only 15 or 20 soldiers actually fired their weapons at the enemy (Marshall 1950).
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Introductionwar video games. These games are now more profitable than feature war movies, and because they routinely brand handguns and other militarized weapons, they are linked to America’s private arms industry.
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Ideological Negotiation in the Combat War Filming for one’s buddies in the discretionary wars of today. In the arena of combat, Hedges notes, “War exposes the capacity for evil that lurks not far below the surface within all of us” (qtd. in Skelly 2006).
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Alternative Media and Representations of Warldiers to shoot and kill their fellow men and women is not as natural as war films and statistics might suggest. Marshall found that for every one hundred soldiers fighting in World War II, only 15 or 20 soldiers actually fired their weapons at the enemy (Marshall 1950).
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,Die Verfassung der Grundbuchämter,o not have to reach a mass audience to recoup multi-million-dollar production costs as movies do. Given the huge number of both mainstream and alternative publishing houses, books are not necessarily held hostage to wealthy investors and therefore can generally escape the political constraints to which movies and television are often subject.
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Die Grundformen des Pädagogischen VerstehensKathyrn Bigelow’s . is so technologically sophisticated that the spectator sees everything through the green night vision goggles of SEAL Team 6 and so, in effect, the audience becomes the shooter, a war movie as FPS war video.
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