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Titlebook: American War Cinema and Media since Vietnam; Politics, Ideology, Patricia Keeton,Peter Scheckner Book 2013 Patricia Keeton and Peter Schec

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发表于 2025-3-21 17:40:16 | 显示全部楼层 |阅读模式
期刊全称American War Cinema and Media since Vietnam
期刊简称Politics, Ideology,
影响因子2023Patricia Keeton,Peter Scheckner
视频video
图书封面Titlebook: American War Cinema and Media since Vietnam; Politics, Ideology,  Patricia Keeton,Peter Scheckner Book 2013 Patricia Keeton and Peter Schec
影响因子No other cinematic genre more sharply illustrates the contradictions of American society - notions about social class, politics, and socio-economic ideology - than the war film. This book examines the latest cycle of war films to reveal how they mediate and negotiate the complexities of war, class, and a military-political mission largely gone bad.
Pindex Book 2013
The information of publication is updating

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Culture Wars and Warnish class matters in the war film in the post-Vietnam War era up to the present. During the 1960s and early 1970s, the question of who was being sent to war, who was paying the price for war, and who was benefitting from war was publicly debated within American society as a whole and within indepen
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Class and Politics paean both to the pitiless as well as to the grandeur and insatiable excitement of war. Most of the poem’s 16,000-plus lines describe with awe the intensity, vitality, and exultance of hand-to-hand combat, all but drowning out Thersites’s dark accusations made early in the work, and this has always
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Ideological Negotiation in the Combat War Filmers—and that to do so, soldiers inevitably seek ways to give meaning to their experiences in combat: the myth of the good war in World War II or fighting for one’s buddies in the discretionary wars of today. In the arena of combat, Hedges notes, “War exposes the capacity for evil that lurks not far
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The Returning Veteran and the Home Front Melodramathin three years two notable films were released (both in 1978) about the returning veteran, by now a well-established American cinematic sub-genre: . (Michael Cimino) and . (Hal Ashby). The first was set in a working-class community of Clairton, outside Pittsburgh, about three steelworkers, later i
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Where is the Ruling Class?s the strategic goals of this elite group, articulated by men who had sharpened their ideological tools during the Reagan and George H. W. Bush presidencies. In 1997 PNAC, an American think tank based in Washington, DC, chaired by William Kristol, made clear that military invasions would be the new
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Alternative Media and Representations of War over resources, territory, and trade. However, research done after World War II by US Army Brigadier General S. L. A. Marshall showed that getting soldiers to shoot and kill their fellow men and women is not as natural as war films and statistics might suggest. Marshall found that for every one hun
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