Titlebook: African Youth Languages; New Media, Performin Ellen Hurst-Harosh,Fridah Kanana Erastus Book 2018 The Editor(s) (if applicable) and The Auth

忘恩负义的人

View on the Updating of Nouchi Lexicon and Expressionsrican urban languages differ from those of the West by their more radical differentiation from their underlying languages (Mous 2009). This progressive autonomy tends to reduce the impact of super-diversity on communication, while a new urban identity is emerging, with its new modes of communication

违法事实

Social Media as an Extension of, and Negotiation Space for, a Community of Practice: A Comparison ofedia platforms Facebook and Twitter, to highlight how community, meaning and identity are negotiated through these language practices, as well as through other semiotic moves on these social media platforms. The chapter makes the argument that these described practices can be seen as the negotiation

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The Use of Addressing Terms in Social Media: The Case of Cameroonian Youth Practicesain categories of addressing terms: proper names, pronouns of the second person, common nouns. I have convoked, as a methodological framework, the conversational interaction approach, following Kasparian and Gérin, based on spontaneous conversations and taking into account their context and dynamics

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Plurality, Translingual Splinters and Music-Modality in Nigerian Youth Languagesity and youth languages, and the conceptual complexities of the sub-cultures in a multilingual space—for which I find . and . more descriptively resourceful. I describe mainly the structuring potential of the music media (modern Nigerian hip hop, especially) and meaning negotiations in casual talks.

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Carcinogenesis

Linguistic (and Non-linguistic) Influences on Urban Performance Poetry in South African Contemporaryhe United States. It argues that this poetry draws from local and international linguistic repertoires, dialects and registers, and live performances include non-linguistic resources such as body, movement, hand gestures, as well as the use of visual media and music. Like urban youth languages, urba

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Palgrave Studies in Creativity and Cultureh as Facebook and WhatsApp. It is shown that these addressing terms, and the way they are utilised, present some specificities in their various forms and typologies, in order to keep the same spontaneity and immediacy in social media written exchanges as in speech.