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Titlebook: African Youth Languages; New Media, Performin Ellen Hurst-Harosh,Fridah Kanana Erastus Book 2018 The Editor(s) (if applicable) and The Auth

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ociolinguistic development.Considers use of social media incThis book showcases current research on language in new media, the performing arts and music in Africa, emphasising the role that youth play in language change and development. The authors demonstrate how the efforts of young people to thro
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An Overview of African Youth Language Practices and Their Use in Social Media, Advertising and Crearactices and creativity woven into the fabric of their language use. Two places where this is seen most clearly is in forms of music popular with youth, and in linguistic innovation on new information communication platforms, or social media.
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Book 2018 Coast and South Africa. This original edited collection will appeal to students and scholars of African sociolinguistics, particularly in the light of the rapidly changing globalized context in which we live. 
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https://doi.org/10.1007/978-3-031-55272-4o are growing up in today’s complex societies intersected by globalization. The chapter aims at analysing the structure, status, and functions of Sheng as used in new media. It also describes how the youth are using this language on social media pages to communicate in an evolving urban space.
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Creative Arts in Education and Cultureets choose to write and perform mostly in English. South African urban performance poetry remains an under-researched area, as it is still developing. However, the diverse multimodal and linguistic influences make urban performance poetry an interesting field to research.
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Functions of Urban and Youth Language in the New Media: The Case of Sheng in Kenyao are growing up in today’s complex societies intersected by globalization. The chapter aims at analysing the structure, status, and functions of Sheng as used in new media. It also describes how the youth are using this language on social media pages to communicate in an evolving urban space.
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