Titlebook: Affirmative Aesthetics and Wilful Women; Gender, Space and Mo Maud Ceuterick Book‘‘‘‘‘‘‘‘ 2020 The Editor(s) (if applicable) and The Author

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Corpus Linguistics and Statistics with Rn the habitation of space itself. Considering space and mobility outside of gendered models calls for other tools, concepts, and vocabulary, which include attention to the forms that wilfulness takes on screen.

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Book‘‘‘‘‘‘‘‘ 2020es that theoretical considerations of gender, space, and power in film theory remain limited by binary models. Looking instead to more fluid models of spatial relations inspired by Sara Ahmed, Rosi Braidotti, and Doreen Massey, this book discovers wilful, affirmative, and imaginative activations of

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Streets: Freedom, Diaspora, and the Erotic in ,ed for those who refuse conventions, . (Fatih Akin, . DVD. Germany; Turkey: Strand Releasing, 2004) uses performance, eroticism, and abjection to disrupt the gendering and racialisation of space and the subject. Feminist affirmative forms appear when one looks beyond the negativity present in the diegesis.

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Conclusion: Forms of Affirmative Aesthetics,he affect of films onto the bodies of the spectators, it concludes that looking for affirmative aesthetics is about mapping the feminist forms that will allow us to build a future beyond gendered and racialised power relations.

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https://doi.org/10.1007/978-3-030-37039-8Gender; Affect and Form; Space; Affirmative Ethics; Wilfulness; Contemporary Cinema; Open Access

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