Titlebook: Affirmative Aesthetics and Wilful Women; Gender, Space and Mo Maud Ceuterick Book‘‘‘‘‘‘‘‘ 2020 The Editor(s) (if applicable) and The Author

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https://doi.org/10.1007/978-3-319-64572-8ed for those who refuse conventions, . (Fatih Akin, . DVD. Germany; Turkey: Strand Releasing, 2004) uses performance, eroticism, and abjection to disrupt the gendering and racialisation of space and the subject. Feminist affirmative forms appear when one looks beyond the negativity present in the diegesis.

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Bin Zou,Simon Smith,Michael Hoeyhe affect of films onto the bodies of the spectators, it concludes that looking for affirmative aesthetics is about mapping the feminist forms that will allow us to build a future beyond gendered and racialised power relations.

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Corpus Linguistics and Statistics with Rs of women requires dissimulation and persistence in order to obtain the same rights as men have. A phenomenological analysis of the film shows how bodies give rise to wilful forms on screen and modify the gendered power relations (the power-geometries) at play in different spaces, such as the house

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Bin Zou,Simon Smith,Michael Hoeyhe affect of films onto the bodies of the spectators, it concludes that looking for affirmative aesthetics is about mapping the feminist forms that will allow us to build a future beyond gendered and racialised power relations.

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Maud CeuterickProvides an affirmative approach to feminism and film.Explores case studies of films that are wilful to change the status quo, deconstructing the binary social distinctions created and reinforced by m

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