Titlebook: A Philosophy of Ambient Sound; Materiality, Technol Ulrik Schmidt Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusiv

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Mobile Infrastructures of Everyday Listeningapital markets around the world.. The Bankruptcy Code is a globally accepted example from which the United Arab Emirates may draw statutory tools to accelerate its economy and role in global financial markets by implementing national laws that maximize the value of insolvent businesses through reorg

Irksome

被诅咒的人

Freud ,: Male and Female Sexuality,ill partly ignored, influence of ambient sound in the general history of sound, art and listening. Ambient sound is distinguished as the affective production of ., the sensation of being surrounded by sound. On this basis, I propose a clear distinction between ecology, atmosphere and ambient sound a

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An Introduction to the Study of the Moon auditory culture. In particular, I identify and explore, in a critical perspective, some of the key aesthetico-political implications of ambient sound for the general production of subjectivity and sociality in contemporary culture. This involves, among other things, how ambient sound imbues the so

Genetics

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Palpitation

Rotation of the Moon; Optical Librationstion of ., characterized by the sensation of material consistency, univocal dehierarchization, immanence and ubiquity. The chapter further identifies three basic morphological principles of ambient field effects: the spatial configurations of the sonic field either . or toward ., and the temporal a-

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Possible Convection in Lunar Interiore immanent material conditions of the medium in which it unfolds. On this basis, sonic mediatization can be said to involve, on a material and affective level, an aesthetic decoupling of the medium as surrounding environment by reducing the ‘ecological’ sense of connectivity to a mediatic outside. A

Halfhearted

Possible Convection in Lunar Interiorhow the synthetic merging of sound, medium and environment into a groundless mediatized field of surrounding sound became a defining factor in the history of sound technology and in experimental, electronic and popular music. First, I discuss the ambient implications of synthetic, electronic and aco

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The Motion of the Moon in Spacendard practice and aesthetic ideal in current audiovisual media centered around the enhanced production of audiovisual immanence. On this basis, I argue that sound design on a general level has deep ambient implications. The chapter then traces, in close dialogue with film and media theory, the role