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Titlebook: A Philosophy of Ambient Sound; Materiality, Technol Ulrik Schmidt Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusiv

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发表于 2025-3-21 16:54:39 | 显示全部楼层 |阅读模式
期刊全称A Philosophy of Ambient Sound
期刊简称Materiality, Technol
影响因子2023Ulrik Schmidt
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发行地址Offers the first extensive and theoretically informed analysis of what ambient sound is and does.Illustrates the role of ambient sound in sonic culture and its cultural, social, political and aestheti
学科分类Palgrave Studies in Sound
图书封面Titlebook: A Philosophy of Ambient Sound; Materiality, Technol Ulrik Schmidt Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusiv
影响因子.This book. .presents the first book-length study of ambient sound as a key issue in sound studies and sonic philosophy. Taking a broad, media-philosophical approach, it explores ambient sound as a basic dimension of the sonic environment, sonic technologies, sonic arts and the material staging of listening..Through analyses of key concepts such as surroundability, mediatization, immanence, synthetization and continuous variation, the book elucidates how ambient aspects of sound influence our conceptions of what sound is and how it affects us by exposing sound’s relation to basic categories such as space, time, environment, medium and materiality. It also illuminates how the strategic production of ambient sound constitutes a leading aesthetic paradigm that has been a decisive factor in the shaping of the modern sonic environment – from key developments in experimental and popular music, sound art and cinematic sound design to the architectural-technological construction of listening spaces in concert halls and theaters and in current streaming infrastructures, digital surround sound and the everyday aesthetics of headphone listening..
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An Introduction to the Study of the Moonnic environment with a . quality that dissolves the sense of spatiotemporal particularity; how it entails and promotes a basic .; and how it involves the production of a detached, encapsulated and in principle . subjectivity.
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Possible Convection in Lunar Interiorustic sound masses in the music of Edgard Varèse, Karlheinz Stockhausen and Gÿorgi Ligeti. Subsequently, taking Phil Spector’s early hit productions as a paradigmatic example, I develop the notion of . as a form of material everyday synthetization of music into ambient sound design.
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https://doi.org/10.1007/978-3-319-74778-1By raising such general questions, the chapter pursues the proposition that the modern auditory dispositive, on an overall cultural and historical level, is guided by a deep ambient inclination, which has vast implications for the shaping of subjectivity and auditory practice in modern and contemporary culture.
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https://doi.org/10.1007/978-3-319-74778-1reuth came to constitute a standard model for the modern acoustic staging of listening by producing a similar ambient effect of being enveloped in a synthetic, mediatized ‘effect-space’ of .—but now by quite other means of an ‘acousmatic veiling’ of sound sources and the apparatus of production.
发表于 2025-3-23 02:12:49 | 显示全部楼层
Book 2023phical approach, it explores ambient sound as a basic dimension of the sonic environment, sonic technologies, sonic arts and the material staging of listening..Through analyses of key concepts such as surroundability, mediatization, immanence, synthetization and continuous variation, the book elucid
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