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Titlebook: Webster: The Tragedies; The Tragedies Kate Aughterson Textbook 2001Latest edition The Editor(s) (if applicable) and The Author(s) 2001 dram

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发表于 2025-3-21 18:02:45 | 显示全部楼层 |阅读模式
书目名称Webster: The Tragedies
副标题The Tragedies
编辑Kate Aughterson
视频video
概述Contains close textual analysis of the two bestknown of Webster‘s plays: . and . Leads the student on to further study of other Jacobean plays, by giving them the tools of analysis. Provides contextua
丛书名称Analysing Texts
图书封面Titlebook: Webster: The Tragedies; The Tragedies Kate Aughterson Textbook 2001Latest edition The Editor(s) (if applicable) and The Author(s) 2001 dram
描述Webster‘s theatre was also Shakespeare‘s theatre: but their tragedies are very different.Webster has a reputation for angst-ridden, obsessive and debased characters and the creation of a sick and decaying world.Yet his heroines are the amongst the strongest characters, male or female, in Jacobean drama..This book shows how Webster‘s plays portray a world in which patriarchal, aristocratic politics are dissected as diseased.Through close analysis of key moments, scenic and dramatic structure, characterisation, theatricality and imagery, this book enables students to appreciate Webster‘s individual contribution to our dramatic heritage.Through such textual reading, we learn how he uses drama to debate contemporary political and social issues, most explicitly those of gender.The book provides students with effective reading, critical and analytical tools with which to approach Webster‘s plays as dramatic scripts for our time, as well as their own, and thus as rivals to Shakespeare‘s major tragedies.
出版日期Textbook 2001Latest edition
关键词drama; edition; Iconography; play; politics; society; tragedy; William Shakespeare
版次1
doihttps://doi.org/10.1007/978-1-4039-1914-4
copyrightThe Editor(s) (if applicable) and The Author(s) 2001
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发表于 2025-3-21 23:08:20 | 显示全部楼层
Society and Politicser we shall look explicitly at the society and politics of his dramatic worlds within two extracts, analysing how social structure and political conduct are intimately connected; how characterisation is a key way in which Webster engages our own political views; and the function of gender within the political crises.
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EndingsIs the ending darkly pragmatic? Does it answer all our questions, or not? The answers to these broader questions can be found through close analysis of the closing moments of any play. Let us turn, then, to the ending of ..
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Heroes and Villainsividuals or participants in a world that is more flawed than they? Why is his focus on tragic heroines rather than heroes? You need to keep in mind what we have decided in Chapter 4, and place any conclusions you make here in that context.
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Webster’s Theatricalitying. And thirdly, we have noted the way he uses large ‘set-piece’ scenes, which coalesce visual and narrative motifs through self-conscious use of specific visual settings. Self-conscious theatricality is often called ‘meta-theatricality’: look at the Introduction for a definition of this term.
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