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Titlebook: Webster: The Tragedies; The Tragedies Kate Aughterson Textbook 2001Latest edition The Editor(s) (if applicable) and The Author(s) 2001 dram

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Introduction us. So, before we plunge into the play, it is useful to outline some of the analytical terms which we shall be using in our analyses in this book. These may be divided into three areas: the linguistic form; imagery; and dramatic form and performance.
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Introduction us. So, before we plunge into the play, it is useful to outline some of the analytical terms which we shall be using in our analyses in this book. These may be divided into three areas: the linguistic form; imagery; and dramatic form and performance.
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Iconography and Imageryd concentrating dramatic meaning and conflict through imagery and iconography as well as verbal conflict. For example, visual setting and blocking in the trial scene of . are used to signify a confusion and abuse of roles.
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Iconography and Imageryd concentrating dramatic meaning and conflict through imagery and iconography as well as verbal conflict. For example, visual setting and blocking in the trial scene of . are used to signify a confusion and abuse of roles.
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ys, by giving them the tools of analysis. Provides contextuaWebster‘s theatre was also Shakespeare‘s theatre: but their tragedies are very different.Webster has a reputation for angst-ridden, obsessive and debased characters and the creation of a sick and decaying world.Yet his heroines are the amon
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Introductionogy. Nevertheless, when we read a four-hundredyears-old play, the verbal, literary and social conventions to which it adheres are necessarily alien to us. So, before we plunge into the play, it is useful to outline some of the analytical terms which we shall be using in our analyses in this book. Th
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