Overview: Bridges the gap between a phenomenologically-grounded perspective on movement and cognitive theatre studies.Adds a useful perspective to recent scholarship on disability, theatre, and performance.ProvThis book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how these movements inhabit u
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