Titlebook: Voices in the History of Madness; Personal and Profess Robert Ellis,Sarah Kendal,Steven J. Taylor Book 2021 The Editor(s) (if applicable) a

APNEA

A Boundary Between Two Worlds? Community Perceptions of Former Asylums in Lancashire, Englandis chapter explores whether there is a boundary that exists between community and asylum as Gittins argued or whether the relationship is more flexible and fluid. It deepens this emerging reinterpretation by examining how those living and working around former asylum sites in two local communities i

弯曲的人

Carbon-Monoxide

Mad Activists and the Left in Ontario, 1970s to 2000he focus is on how political activism was defined and legitimated among politically engaged groups during this period. From the 1970s with the formation of ex-psychiatric patients’ groups, or the ‘mad movement’, in the Canadian province of Ontario, efforts were made to develop political alliances be

社团

Book 2021n historians to lower their gaze so that they might better understand patient-doctor roles in the past, historians have sought to place the voices of previously silent, marginalised and disenfranchised individuals at the heart of their analyses. Today, the development of service-user groups and pati

Charlatan

Experiences of the Madhouse in England, 1650–1810roprietors who managed them. However, these negative perceptions were not universal. The descriptions provided by patients, and their individual perspectives, can provide us with valuable insights into aspects of life within those key early institutions.

Abominate

“I Like My Job because It Will Get Me Out Quicker”: Work, Independence, and Disability at Indiana’s d with former hospital staff, and newspaper articles and administrative records to reconstruct patient experiences within rehabilitative vocational programs, to define the patient work experience and provide insight into how staff who worked closely with patients understood the hospital’s policies around work.

Serenity

CLAP

Tracking Traces of the Art Extraordinary Collectional bounded walls of the archive, proposing instead a turning towards the collisions between archives/collections and the hearts, minds, bodies and landscapes of those bound up with these histories in the making.

Initial

钱财