Titlebook: Visualizing Nuclear Power in Japan; A Trip to the Reacto Morris Low Book 2020 The Editor(s) (if applicable) and The Author(s), under exclus

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Morris Lown Biogeochemistry in Relation to Mining Industry and Environmental Pollution (Leaching Conferenc~, held in Canberra, Aust­ ralia on August 26-31 and September 3-4, 1979, respectively. The ISEB were established to provide "a forum for uninhibited exchange of information and ideas among the biological

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nference on Biogeochemistry in Relation to Mining Industry and Environmental Pollution (Leaching Conference), held in Canberra, Aust­ ralia on August 26-31 and September 3-4, 1979, respectively. The ISEB were established to provide "a forum for uninhibited exchange of information and ideas among the

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2730-972X s the impact of visual media in promoting nuclear power in J.This book explores how Japanese views of nuclear power were influenced not only by Hiroshima and Nagasaki but by government, business and media efforts to actively promote how it was a safe and integral part of Japan’s future. The idea of

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Introduction: Visualizing Nuclear Power in Japan,hy it was written and outlines the chapters that follow. The book argues that public attitudes were influenced by visual representations and discourses about how civilian nuclear power was safe and an integral part of Japan’s future. At the same time, there were countervailing forces that associated

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Before and After Hiroshima,romoting the narrative that Japanese militarists were to blame for the war and used photographs to support its argument. The atomic bomb itself provided a highly visual way of ending the Pacific War, but censorship of the atomic bomb during the subsequent American-led Occupation of Japan delayed ope

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Picturing Hiroshima,Akamatsu Toshiko (later known as Maruki Toshi), illustrated patriotic children’s books during the war but would go on to produce what became known as the Hiroshima panels with her husband Maruki Iri. The Marukis were able to avoid the censorship that had been imposed on film footage and photographs

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,Making Atomic Dreams Real: 1956–1958, Hiroshima panels painted by Akamatsu Toshiko and Maruki Iri. Key figures such as media mogul Shōriki Matsutarō and the politician Nakasone Yasuhiro played leading roles in promoting civilian nuclear power during this period. The . exhibition continued its tour of Japan in 1956 and the Atomic Energy